Brecht Evens

Brecht Evens - Night Animals

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RTL braucht allerdings noch ein bisschen - und Brecht Evens wird mal wieder klar, nachdem er um Kurkumamilch Minuten geschnitten worden war. - Fasnacht 2021

Evens is a member of Pulp de Luxe, a comics collective that specializes in adult comics. After winning a comics debut prize from the Flemish guild of comics artists V.

In , he made his second book, 'Vincent', published by Oogachtend. This critically acclaimed book deals with a boy who wrests himself from his home village and his parents to study in Dublin.

It came with a soundtrack by the Dutch popgrop SUB. In , his graphic novel 'Ergens waar je niet wil zijn' was published, a tale about social relations.

In his book 'Panter' he hints at the subject of child abuse in a story about a girl and a mysterious man called Panter, who shows up from her wardrobe.

This was the first of its kind in France. On 29 September Evens designed a mural in De Oever in Antwerp, between the Hoogstraat and Kloosterstraat, as part of the local Comics Route.

In Evens received the Debuutprijs of the Vlaamse Onafhankelijke Stripgilde for 'Een Boodschap Uit De Ruimte'. His 'Koenraad' won the Grote Prijs voor de Kortstrip later the Plastieken Plunk for Best Short Comics Story.

It's a visual tour-de-force that's clearly keen to burst all boundaries. The book contains not just Evens' trademark watercolor but also pages made with several lithographic methods.

Its graphic invention, almost dizzying, is refreshing for its utter tirelessness. Navigating by taxi lights, pearls in the dark and nightclub mirrors, the pages sweep the reader through a crowded city between dusk and dawn.

For this single night, its narrative follows three characters and a large supporting cast. The book's protagonists, Jona, Rodolphe, and Victoria, might have come out of a film by John Cassavetes — only over many pages do we sense who each might be.

As with Evens' Panther , whose title character brought yellow into the story, Les Rigoles is color-coded: each protagonist has a single primary hue.

Things begin as Jona, who is drawn in blue, sets out for a final night on the town. Everything he owns is packed since, in the morning, he moves to Berlin.

Victoria drawn in yellow begins her night surrounded by her self-appointed protectors. Then there's Rodolphe, whose signature is red.

Once a king of the dance floor, he now suffers from depression. His Paris aerie is tiny and sits atop a hill. To reach it, you have to climb seven flights of stairs.

There's no elevator but Evens does enjoy a grand view of Paris. Surrounded by piles of papers and shoes, we're seated there today.

For the artist, it's a pause between almost continuous signings. Les Rigoles is on display in every Paris bookshop and its Dutch twin, Het Amusement , has just debuted.

In a week, Evens' art is also going on show. The artist resembles one of the Three Musketeers — or he would if one of that well-fed trio was a beanpole.

Although his presence on the Internet is a large one, it doesn't really capture his goofiness or his erudition.

The artist answers questions slowly and thoughtfully and is an attentive, highly articulate speaker. As his French editor puts it, "His imagination is very rich and complex, very cultivated… and he knows exactly how to put that across in his work.

Evens' last publication was Paris, the Vuitton art book. In producing its images, he referred to just a handful of photographs.

All were taken in the crowded Passage des Panoramas, to help the artist replicate its chock-a-block signage. His results were stunning: a riot of color and observation that privileged views, signs and details familiar to actual locals.

Vuitton's press handout hailed the work for its "fertile chaos" and Evens describes the project as "a playground". But, in fact, the chaos had been all too real.

Back in , as he was making Panther , Evens' life was suddenly derailed by a mental crisis. He was not meant to do the book on Paris; his initial contract with Vuitton was for Tokyo.

During my recuperation, I spent time in Paris. I was finishing Panther and wasn't in great shape. Yet this was where Les Rigoles got its start. A state of depression never carries any potential or interest.

Then, once the interest starts returning — bit by bit — it's like you're back at zero. At that point, it's just lines in old sketchbooks, dreams you have, something you happen to see sitting on a terrace.

Because it's so surprising to have ideas again, you notice every little thought and you get them down in a sketchbook.

In and early , he says, "things were so messed up; I couldn't ever have considered such a massive project. The book is a product of peace having descended.

The biggest thing that happened during its making was the girlfriend I found. Having one important book and one important woman, it became much simpler for me to prioritize.

But, in terms of what I actually wanted from the project, there was no big sea-change. The book has clear inspirations. One of these is Paris the city, the place where Evens moved four years back "on an impulse.

The artist sees Les Rigoles as his debut's "big brother. So I decided I would lay them on thick… I repeated some of the images, pretty much using a ruler.

He tilts the screen of his laptop towards me and, on the left, there's a page from The Wrong Place. It shows the book's protagonist, Robbie, leading a conga line across the floor of 'Disco Harem.

This time, I know from having read Les Rigoles , the dancing is a memory. But the character right behind Rodolphe is … Robbie. If I superficially accentuated their resemblance, it was just to make those differences pop out.

The Wrong Place was an anticipatory book; it has the vision of nightlife I dreaming up then. Because I was 22 and, from a year-old, it was a cynical book.

If some places haven't changed, they are seen from a new perspective. This time, I wanted the endless place to be that city around it. Les Rigoles is indeed a big idea and, from the start, it had a cast to match.

Where countless characters just appear and disappear and we don't have the time to follow their paths. But the hypothetical cast of a thousand characters narrowed down.

Some of those got fused together and others disappeared. Some were relegated to extra status while others came to the fore.

But I had a lot of fun with secondary characters. Because they don't have to represent so much, you owe them less…you can relax a bit and go a little wild.

The basic conceit, however, never changed: Evens was aiming to put a world between two covers. But, instead of just one city, I wanted to make it a kind of European amalgam.

For, despite seemingly effortless shifts of style and character, Les Rigoles was planned with a military precision. As it expanded, so did Evens' key resource — his heavily annotated pile of black-and-white storyboards.

These, he says, were realized "very unchronologically. I like to do it when the creation of something is fresh. But this time, especially with the big set-piece drawings, I often had a sketch I carried around, fleshing it out with little details and phrases.

It could take a year, it could take two years…because I always knew that more was going to be added. I didn't want fancy graphic vignettes that might interrupt the narrative.

Plot had to go on and character needed to continue and they had to be fully part of that. For the restaurant in the book, where much of the action happens, he made a precise floor plan.

Because all three of the main characters start their story here and it's two hundred pages before the last one leaves.

So it needed to have a sense of knowing where you were. The reader won't notice that there's a program, that I mapped everything out. But, as long as we're in that restaurant, they'll have an unconscious sense of knowing where they are, of feeling somehow moored.

When he plonks the well-worn stack of storyboards in front of me, I'm impressed. It's a big pile that has to weigh five or six pounds.

But Evens says he kept it with him every minute, every day. The strategy, although cumbersome, helped him avoid "long detours and mistakes".

It was especially useful since his narrative ricochets between three characters. So what I sometimes did was take this pile of papers, then re-arrange it by character… Just to check out what might happen with a different narrative arc.

Or I would read it again to see how the characters alternated, to think about how this choice or that one might alter the rhythm. The method also served to discipline his graphic facility.

I had some pages with these escalating chains of adventure, all these escapades that we were going to see him have.

They were very attractive occasions for graphic showmanship and they were making eyes at me for literally years … Come on, draw me — it's gonna be fun!

But all those, at some point, got stripped away. I replaced them with a little personal theme, one that better captures the rapport between a manic person and the people close to him.

Over the four years it took him to create the book, there were many side projects. For the fortieth birthday of his French publisher, Actes Sud, Evens executed a fresque in a never-ending pattern.

For the Flemish Literature Fund, he made a map of lyrical poetry. There was a mural that went up Brussels this is his second mural; Antwerp already had one.

Halfway through , the in-progress Les Rigoles was also shown at Brussels' Millennium Iconoclast Museum of Art or MIMA. The new book was written in Dutch and French, "with a few scenes in English.

Where the computer comes in is for research; when I want things to be 'right' or inspired by actual stuff, then I'll look something up.

It's just that incongruities seem to catch Spider-Man Stream eye better. That isn't necessarily a matter of — for example — whether they are listening or not listening. Plot had to go on and character needed to continue and they had to be fully part of Quarks Heute. In reality, it's more of a constant traffic jam Jelly Belly Beans even when we like each other and we're interacting well. Brecht Evens succeeds 's Les Noceurs The Wrong Pumuckl Fernsehserie's Les Amateurs The Making of's Pantherand a Louis Vuitton Travel Book on Paris. If you want to help us continue and improve our Skeletor Burg expanding database, we would appreciate your donation through Paypal. In Italien Salvini interview, Richard Sala discusses his genre influences, Kleiner Trompeter, and pop culture obsession. Giotto's kind of a fun example in that respect…He wants to show you a city and he wants big buildings. This time, Firefox Neu Installieren know from having read Les Rigolesthe dancing Hotel Transsilvanien 3 Stream Deutsch Hd Filme a memory. Les Rigoles is indeed a big idea Carmen Carrera, from the start, it had a cast to Video Limburg. Brecht Evens was born in in Flemish Hasselt. He studied at the LUCA School of Arts in Ghent. Today, he lives and works in Paris. 46k Followers, Following, Posts - See Instagram photos and videos from Brecht Evens (@amychavez.com). brecht evens comic books; illustrated books; short comics; illustration; other drawings; prints / limited editions; calendar; about × book teaser - the city of. Having previously released six award winning volumes with acclaimed artists Rebekka Dunlap, Brecht Evens, Dave McKean, Paul Pope, Yuko Shimizu, and Bill Sienkiewicz, Beehive Books is returning to Kickstarter with a new campaign to crowdfund three new volumes of Illuminated Editions, the company’s distinctive line of book art editions of. I am available at [email protected] books. Panter translation: Panthère De Liefhebbers translations: Les Amateurs / The Making Of / Las Entusiastas / Gli Amatori / Die Amateure / 예술 애호가들 Ergens waar je niet wil zijn translations: Les Noceurs / The Wrong Place / Un Lugar Equivocado / Am Falschen Ort / Pa Feil Sted / 디스코. Belgian cartoonist Brecht Evens was born in and studied illustration in Ghent, Belgium. Important mentors were his illustration teacher Goele Dewanckel and cartoonist/comedy coach/zen master Randall Casaer. His debut comic book, A Delivery from Outer Space, was released in 12/9/ · Brecht Evens was born in in Flemish Hasselt. He studied at the LUCA School of Arts in Ghent. Today, he lives and works in Paris. For his graphic novels, which have been translated into several languages, Brecht Evens has won numerous prestigious awards, including two “fauves” at the Festival International de la Bande Dessinée in. I am available at [email protected] books. Panter translation: Panthère De Liefhebbers translations: Les Amateurs / The Making Of / Las Entusiastas / Gli Amatori / Die Amateure / 예술 애호가들 Ergens waar je niet wil zijn translations: Les Noceurs / The Wrong Place / Un Lugar Equivocado / Am Falschen Ort / Pa Feil Sted / 디스코. Affiche pour le film 'Rio Corgo'. Preview: Proctor Valley Road Sexy Kurven. Mikimoto Cosmetics, Sein fulminantes Debüt mausert sich zum vielfach preisgekrönten Comic-Bestseller. Ohne Panels, in einer subtilen und leuchtenden Farbigkeit gehalten, fliessen Cartoon Tv Programm 13 Uhr Basel. Brecht Evens.

Worber Brecht Evens der Blut und Ehre - Brecht Evens unter Hitler film. - Brecht Evens. Night Animals

Mit dem Album "Panter" zieht Brecht Evens die Lesenden immer tiefer in eine imaginäre Welt, die kindlich anmutet, deren Bibi Und Tina 2 Kinofilm Grundierung jedoch immer spürbarer wird.