amychavez.com - Kaufen Sie Douglas Sirk Collection günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Mit Filmen wie Imitation of Life oder All That Heaven Allows schuf Douglas Sirk () in den er-Jahren meisterhafte Melodramen, die Regisseure. Douglas Sirk (* April in Hamburg-Eimsbüttel; † Januar in Lugano, Schweiz; Geburtsname: Hans Detlef Sierck) war ein deutscher Film- und.
Sierck, DetlefThis year's Douglas Sirk Award goes to Iranian director Jafar Panahi, who has been sentenced to a year ban on working and travelling. Before the German. BIOGRAFIE FILME MIT Douglas Sirk. Biografie. Mit sieben Jahren sah der kleine Hans Detlef Sierck mit seiner Oma in Hamburg seinen ersten Film. von Epoche zu Epoche gespannt sind. Liest man die Filme Sirks unter dem Fokus der Autorentheorie wird die Sache noch schwieriger, denn dann wird das.
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Seitdem gab es Douglas Sirk ersten Aldi Pc 2021 seit Jahren eine lngerfristig allein eingesetzte Douglas Sirk des Vorspanns statt - wie zuvor - zwei rotierende Varianten. - WeiterlesenHangman ; — Douglas-Sirk-Preis seit
Nebenbei arbeitete er als Redakteur bei der Neuen Hamburger Zeitung. Er malte auch selbst. Im gleichen Jahr erschien eine Übersetzung von Shakespeare Sonetten Siercks in Hamburg.
Das Kleine Theater Chemnitz bekam genau zu dem Zeitpunkt finanzielle Probleme. Die Schauspieler mit den übrigen Beschäftigten bildeten ein Kollektiv, dessen Direktor Sierck war.
Sie hielten sich durch populäre Komödien über Wasser. Das Bremer Schauspielhaus wurde in dieser Zeit auf Sierck aufmerksam und lud ihn als Gastregisseur ein.
Seine Arbeit gefiel dort. Anatols Hochzeitsmorgen. Daneben inszenierte er Der Turm des jüdischstämmigen Hugo von Hofmannsthal.
After a moral transformation, the playboy attends medical school to learn how to restore her vision. That richly emotional story provided Sirk with a broad canvas on which to realize his stylish Technicolor vision of superheated melodrama.
A remake of the fine John Stahl -directed version of the story from , Magnificent Obsession not only transformed Sirk into a bankable director but also earned an Academy Award nomination best actress for Wyman and made Hudson a star.
Sign of the Pagan was a florid tale of Rome under attack by Attila the Hun Jack Palance , and Captain Lightfoot starred Hudson as a rebellious early 19th-century Irish nationalist.
With the glossy All That Heaven Allows , Sirk again found plenty of room for his carefully heightened embellishments, creating another work that was hugely popular with contemporary audiences.
Malone won a best supporting actress Academy Award for her performance as a sexually uninhibited woman who hates her wealthy family, and Stack as her playboy brother was nominated for best supporting actor.
After a film project based on the life of painter Maurice Utrillo fell through when Sirk became ill, the director retired in He left Hollywood and made Switzerland his primary place of residence.
During the s he again became active in the German theatre, and from the mid- to late s he taught at the Munich Academy of Film and Television.
Birthplace: Hamburg, Germany. Best known for his Hollywood melodramas of the s, Douglas Sirk first achieved success in post-WWI Germany, as a theater director.
Under the name Claus Detlef Sierck, he directed for the stage from to , emphasizing the work of such classic playwrights as Moliere, Ibsen, Shaw and Shakespeare.
Despite his great success, Sirk left Germany in because of his opposition to the policies of the Third Reich. View All Photos View All.
However, the major work that transformed Sirk's reputation was rooted in the intelligence and thoughtfulness of the man himself: Jon Halliday's book-long interview, "Conversations with Sirk", which made his critical reputation in the English-speaking world.
The Sirk of Halliday's book is an intellectual with a thorough grasp of filmmaking. The book is must-reading for any student or practitioner of the cinema.
The Edinburgh Film Festival featured a film retrospective of Sirk, and in , the University of Connecticut Film Society put on a complete retrospective of Sirk's American films.
The rise of 'Rainer Werner Fassbinder' as the best and the brightest of the post-war German directors also burnished Sirk's reputation, as Fassbinder was an unabashed fan of his films.
Fassbinder's films clearly were indebted to Sirk's melodrama, his mise-en-scene, and his irony Fassbinder visited Sirk at his Swiss home, and the two became friends.
Sirk later, with Fassbinder's encouragement, taught at the Munich film school. Society is an omnipresent character in Sirk's films, as important as the characters played by his actors, such as Jane Wyman and Rock Hudson.
Sirk's characters are buffeted by forces beyond their control, as their lives are delineated by cultural mores that constrain their behavior and their moral choices.
In addition to this fatalism, Sirk's characters must contend with repression. It is the latter trope that recruits the most converts to the Sirk cult, as the forces of repression are "signalled" through the imagery of a Sirk film, which typically was crafted in collaboration with the Oscar-winning lighting cameraman Russell Metty when Sirk worked for Hunter at Universal.
The plots of the movies that are at the core of the Sirk cult are rooted in problems that would be insurmountable but for the miracles provided by the deus ex machina known as the Hollywood Happy Ending.
While Sirk was glad that his reputation had waxed since his retirement and that he was now respected, he was uncomfortable with some of the criticisms of his work.
He particularly was irritated by cineastes' labeling him an unequivocal critic of the American Way and of the social conformity of s America.
Many critics seemed to see Sirk as American cinema's equivalent to Bertolt Brecht , that is, a fierce critic of the bourgeoisie.
Like one of his own characters, Sirk was now subjected to societal forced outside his control, quite unlike the worlds he had controlled as a director in Germany and the United States.
Ironically for the great ironist, when Douglas Sirk died on January 14, , his reputation was not yet in full flower.
Jump to: Director Writer Second Unit Director or Assistant Director Producer Additional Crew Self Archive footage.
Deutsch TV Movie documentary Self. Self uncredited. Alternate Names: Michael O'Hara Detlef Sierck Detlev Sierck.
Edit Did You Know? Personal Quote: [on Clark Gable]: That face of a tomcat - what did people see in it? Trivia: Although Sirk made no more Hollywood films after his greatest success, "Imitation Of Life", in , he did not retire from film-making immediately, as is sometimes reported.
This cinema of excess, with aggressive colour and sentiment, might seem too lurid and gaudy to be profound when actually it is a work of art that puts artifice at the service of truth, unlike naturalistic realism.
It is by summoning all the power of the artificial that his films get to the truth. Whether it is the interior decor, the composition of the frame, the lighting or the slightest placement of the camera, each element is an extremely stylised and sometimes misunderstood move, as was the case in Magnificent Obsession, when work to intensify the visual and dramatic parameters bordered on abstraction.
These techniques were expensive back in the day and reserved for films that were guaranteed to be box office hits.